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	<title>Comments on: Classification of spatial sound reproduction technologies, by Philippe-Aubert Gauthier</title>
	<atom:link href="http://blog.soundsorange.net/2008/01/21/classification-of-spatial-sound-reproduction-technologies-by-philippe-aubert-gauthier/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.soundsorange.net/2008/01/21/classification-of-spatial-sound-reproduction-technologies-by-philippe-aubert-gauthier/</link>
	<description>Around sound, by Nick Mariette</description>
	<pubDate>Fri, 18 May 2012 16:26:25 +0000</pubDate>
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		<title>By: Philippe-Aubert Gauthier</title>
		<link>http://blog.soundsorange.net/2008/01/21/classification-of-spatial-sound-reproduction-technologies-by-philippe-aubert-gauthier/comment-page-1/#comment-115</link>
		<dc:creator>Philippe-Aubert Gauthier</dc:creator>
		<pubDate>Tue, 22 Jan 2008 18:06:29 +0000</pubDate>
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		<description>Thanks for the post.

I also received some critics regarding the total exclusion of spatial sound approach such as loudspeaker concerts in electroacoustic music, sound installation, etc. This is simply caused by the fact that I wanted to concentrate the classification on &gt;&gt;reproduction&lt;&lt; technologies which imply the fact that you are interested in approachin a target.

Bye!</description>
		<content:encoded><![CDATA[<p>Thanks for the post.</p>
<p>I also received some critics regarding the total exclusion of spatial sound approach such as loudspeaker concerts in electroacoustic music, sound installation, etc. This is simply caused by the fact that I wanted to concentrate the classification on &gt;&gt;reproduction&lt;&lt; technologies which imply the fact that you are interested in approachin a target.</p>
<p>Bye!</p>
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